Nan Davies

Jackson (2022) Producer

14 year old Amira tries to swerve a trip to the local haunted house with friends - without letting on why she’s scared. Being different isn’t encouraged in the school playground, but avoiding the house means sharing more of herself than she bargained for.

OOO (2020) Producer

Bernie is alone, working at the office on the weekend. It "should" help her get ahead. She "should" be grateful to for this (low-paid, undervalued) starter position. She "should" try harder. Should is a small but dangerous word. It can force you into an uncomfortable box. The empty office becomes an undeniable temptation. Bernie decides to ignore the "shoulds" and sets out on a joyous adventure of self-expression. It's hard to stop after that first taste of freedom, and Bernie finds that the adventure isn't always so fun. She tests the boundaries of the office rules and her own preconceptions. This wild rebellion isn't really Bernie either. Bernie has to learn the art of balance, to find her own lane and when she does, it's jubilant! Shot in response to, and during, the grey fixed tempo of lockdown, 'OOO' is a vibrant, playful, energetic ride.

Snapshots (2019) Producer

Snapshots tells three unique stories through the voyeuristic lens of a photo booth camera. Although their circumstances and motivations are very different, each character shares a desperation that’s led them to their booth: a heartbroken transvestite driven to conforming to societal expectations; two young people compelled to risk everything in the hope of a better life; and a lonesome cleaner who goes to extraordinary lengths to attract the attention he so desperately craves. With the help of the camera each character uses deception in pursuit of happiness, demonstrating that appearances are not always as they seem.