Thoughtful and provocative drama about Europe's current sociopolitical crisis told through the allegory of a crumbling and twisted marriage. Europe, the wife, trapped in a boom and bust relationship with her young and immature husband Rich, feels lost and disconnected from reality. Unable to deal with his sexual demands and the tragedy that has occurred because of his misconduct, Europe embarks on an unusual journey to find herself. On her way she’ll meet the people that have haunted her marriage and affected her life: Rich’s decadent mother, his corrupted friends, his innocent victims and most importantly his domineering lover Adam - a man who seems to dictate the fate of many, including hers. The film is shot both in Colour and Black and White. This aesthetic is vital to the story as it best represents the wife's dichotomy. Life inside the apartment is monochrome, unhappy, unloving, brutal. Life outside - in her mind, is colourful, truthful, challenging but hopeful. These symbolisms not only reflect the continuous moral dilemmas Europe faces but also expose the mental and psychological process that leads a woman to seek a divorce. More details and background can be seen at the film's dedicated website www.marriage.film

A psychological thriller, a mental game that unfolds within two parallel stories and in three different time frames. The Boys' (young and old) and the woman's (the narrator and psychiatrist) who deals with the sole survivor of a collective suicide. In 1975, five 11 year-olds public school boys went on a school trip to a summer camp in Greece. There, provoked by one of the local teenagers, they committed a crime which they kept secret. 25 years later, that secret comes back to haunt them. The 35mm film premiered at Thessaloniki International Film Festival in the New Horizons Section to critical acclaim. Funded by the Greek Film Centre, Amy International, Red Box Productions and Inventome, the film was edited by award-winning editor Adam Recht. ( My week with Marylin, Poldark, Victoria). Music by Robert Hartshorne.

Inspired by Ray Bradbury’s The Veldt, the Libertines takes place in 2063, after the internet imploded and was re-invented and regulated. The cause being the computer game ‘Liberti’ that took the young by storm back in 2025, and offered money to the players who would reach unprecedented levels of disobedience and cruelty against their parents. Soon the ‘Libertines’ are redefining greed and freedom and as a result the first parental murder takes place, rewarding the gamer with £2million. The play explores brain hacking and the degree of subconscious manipulation of children, as gaming addiction clinics are very real and Momo, Deleted and Blue Whale challenges have already led to suicides.The LIBERTINES represent debauched, moral-free individuals, whose obsessive pleasure in gaming, monetary greed and instant unregulated power has resulted in the breakdown of the family/school unit and consequently led to total social anarchy. The playfilm uses Projections and filmic sequences with VFX to portray the birth of the game, the brain altering chemistry, hacking and addiction. It also showcases real addicts and their threats and destructive ways around their parents. It also explores in graphic detail the way games use dark psychology to capture the young minds. The project was commissioned by the Marlowe Theatre.

Award-winning, critically acclaimed playfilm about a peculiar love affair, shown through the 'consciousness' of stage and the 'subconsciousness' of film. Premiered at the Festival of New Works, UKC. Recipient of the Arts and Humanities Research Board Award. Successful 3 week run at the Greenwich Playhouse. The Playfilm - a term coined by Kat, offers a unique theatrical experience which involves two layers of the same story. Sometimes the layers conflict, other times they agree, often they have a dialogue that pushes the narrative forward and allows the audience to either be behind or ahead of the plot. The interaction is often comical and politically incorrect. The London playfilm contained a 50 minute sequence which was projected in a key position on the stage and appeared and disappeared at will. Edited either to music or to specifically interact with the action on stage, it provided a totally enjoyable, immersive and multilayered view of the story. Brit Award Winner Producer Charlie Andrew and his band the Laurel Collective have lend their songs to the 50 min film sequence as did renowned singer/songwriter Richard Navarro.

FILF is a drama/comedy centred around a single father plunged into a woman-dominated microcosm. Set in a small English town the series follows the trials of Harry and his son Finn as Harry rebuilds his life following a particularly nasty divorce. Things get complicated when his ex arrives in town seeking revenge and custody. Harry's world begins to crumble. The only way to stand his ground and protect his name is by utilising his incredible yet devious IT skills. Soon the drama and hypocrisy of that society is revealed by 'real-life online clips posted on social media' exposing the lies, fears, secrets and insecurities of the town's main players and the effect they have on Harry's family. The series blurs the line between reality TV , drama and actuality by using current online platforms to further the narrative plot and push the story-telling to another level.

Alternative rock band Sylvette’s first music video deals with the theme of nature destruction and greed. The haunting lyrics and melodies written, produced and sang by Charlie Sinclair only deserved a cinematic, equally haunted platform. The song hit 20,000 like on Facebook and You tube within 15 hours of its release and has received many accolades ever since.