Aurore de Blois

The Shape of Water (2017) Compositing Supervisor

Assess and communicate VFX requirements across all relevant VFX department heads as their work relates to the requirements for the digital compositing department. Maintaining constant communication with VFX producer and VFX supervisor. Discuss artistic approach to VFX looks with Director. Communicating required shot scope, look and any necessary revisions and their approach to artists to achieve the highest quality of finished VFX shots. Research and development of VFX looks for major sequences. Role included significant creative input and control with VFX shots including critical design aspects.

Prometheus (2012) Senior Compositor

Digital compositing VFX - 48fps, native stereo shots. Created the look for the 'Juggernaut Crash' sequence. Self-directed VFX work for shots I was responsible for and took over shots that artists struggled to complete. As most experienced stereo artist on our team, I was requested in stereo quality reviews to provide advisement on issues requiring correction and assisted artists with their stereo compositing workflow.

Battlestar Galactica (2005) Compositing Supervisor | Senior Compositor

Founding member of BSGVFX in-house Visual Effects Department for Battlestar Galactica which was created after the first season. Oversaw all compositing VFX work completed in Vancouver, Canada, Provided support for Los Angeles VFX team (primarily consisting of 3D artists but included 2 compositors- primary comp team was in Vancouver on the studio lot). Supervised artists, provided quality control and shot review advisement along with VFX Producer and VFX Supervisor. Communicate and coordinate with CG Supervisor and his team of 3D artists- provided camera tracking (matchmoving) for their work. Self-directed with complete artistic creative control over my work. Personally responsible for over 300 VFX shots throughout series. 2005-2008 (video link provides a small sample of selected work)

Rocketman (2019) Compositing Supervisor

Assess and communicate VFX requirements across all relevant VFX department heads as their work relates to the requirements for the digital compositing department. Maintaining constant communication with VFX producer and VFX supervisor. Communicating required shot scope, look and any necessary revisions and their approach to artists to achieve the highest quality of finished VFX shots. Role included creative input into VFX shots.

Avatar (2009) Senior Compositor

Digital compositing VFX native stereo shots. Self-directed VFX work for shots I was responsible for and took over shots that artists struggled to complete. Also provided stereo camera tracking (matchmoving).

No Time To Die (2021) Compositing Supervisor

Assess and communicate VFX requirements across all relevant VFX department heads as their work relates to the requirements for the digital compositing department. Maintaining constant communication with VFX producer and VFX supervisor. Communicating required shot scope, look and any necessary revisions and their approach to artists to achieve the highest quality of finished VFX shots.

The Batman (2022) Compositing Supervisor

Compositing Supervisor

The Witches (2020) Compositing Supervisor

Shepherding of VFX work; primarily communicating required revisions and their approach to artists to achieve the highest quality of finished VFX shots.

Top Gun Maverick (2021) Compositing Supervisor

Shepherding of VFX work; primarily communicating required revisions and their approach to artists to achieve the highest quality of finished VFX shots.

Jack Ryan (Season 2) (2019) Compositing Supervisor

Our work in the S2.8 episode 'Strongman' was among that nominated for a Primetime Emmy Award (Outstanding Special Visual Effects in a Supporting Role)

Hunter Killer (2017) Compositing Supervisor

After the departure of its previous supe, I took over as compositing supervisor to complete this project, (Uncredited)

Angel Has Fallen (2019) Compositing Supervisor

This project arrived as a 911, to do work that was not completed by a VFX shop that went out of business before completion of the film. We had a major sequence and 10 weeks.

Loving Pablo (2017) Compositing Supervisor

After the departure of its previous supe, I took over as compositing supervisor to complete this project, (Uncredited)

Jupiter Ascending (2015) Senior Compositor

Ben Hur (2016) Compositing Supervisor

Assess and communicate VFX requirements across all relevant VFX department heads as their work relates to the requirements for the digital compositing department. Maintaining constant communication with VFX producer and VFX supervisor. Discuss artistic approach to VFX looks with producer and Director. Communicating required shot scope, look and any necessary revisions and their approach to artists to achieve the highest quality of finished VFX shots. Research and development of VFX looks for major sequence. Role included significant creative input and control with VFX shots including critical design aspects. Work was primarily the entire 10-minute chariot race sequence but included additional, smaller sequences.

Avengers Age Of Ultron (2015) Senior Compositor

Thor the Dark World (2013) Senior Compositor

Godzilla (2014) Senior Compositor

Guardians of the Galaxy (2014) Senior Compositor

300 Rise of an Empire (2014) Compositing Supervisor

(Compositing sequence lead) This project arrived as a 911, to do work that was not completed by a VFX shop that went out of business before completion of the film. We had several major sequences and 12 weeks.

the Great gatsby (2013) Senior Compositor

iron Man 3 (2013) Senior Compositor

John Carter (Of Mars) (2012) Senior Compositor

Harry Potter and the Deathly Hallows: Part 2 (2011) Senior Compositor

Pirates of the Caribbean: On Stranger Tides (2011) Senior Compositor

Clash of the Titans (2010) Compositing Supervisor

(3D-Conversion Supervising Compositor)

The Man Who Fell To Earth (2022) Compositing Supervisor

Compositing Supervisor, participated in look development. (Territory Studio)

The Creator (2023) Compositing Supervisor

2D compositing supervisor, compositing, Quality control.

Argylle (2024) Compositing Supervisor

I took over compositing supervision duties on this project on delivery day. We had over 350 shots that were incomplete after 10 months and no finals. I built a new compositing team, took over all outsourcing duties, found where all the bodies were buried and delivered the show in 3 months with a handful of artists. This what I do: deliver.